Showing posts with label europe. Show all posts
Showing posts with label europe. Show all posts

Wednesday, 1 June 2011

Making a Cafe Racer


Across Europe, post-WWII veterans removed every part that wasn't necessary and modified their motorcycles to make them faster to race outside of cafes for bragging rights. Known as Rockers or Ton Up Boys, they were the British equivalent of American Graffiti and their café racer motorcycles became synonymous with the brash men who raced each other on motorcycles from one café to another at speeds near 100 mph, known as "the ton." So if you are looking to convert your vintage motorcycle into something more café raced out, start by doing some research.

Originally café racers were British twins like Triumphs, Nortons and BSA, but if your motorcycle's look looks a little tired then spruce it up with a café racer look. One of the first things café racers did was remove any unneeded part. Unless the law requires them, remove conveniences like mirrors and turn signals as well as chain guards, fenders and superfluous gauges or switches. If you are going to use a mirror, buy a retro Napoleon Bar End Mirror. Keep track of your speed by wiring up a minimalist bicycle speedometer for $15. After removing all of the bike's unneeded weight, café racers sought performance to go faster then the next guy. Removing their stock handlebars, flipping them end over end and reinstall them upside down, gave café racers a more aerodynamic riding position to increase the likelihood of reaching "a ton," or 100 mph. Modern riders can buy a set of Clubman bars to give their bike the same look.

To further aid their aerodynamics, café racers would install small gas tanks since they were only racing about town. Look at online sites like Craigslist or eBay to find a smaller tank that fits your look. To further solidify the café look your bike is going to need a single, stainless steel headlight that mounts to your fork stanchions. Expect to spend $50 for a headlight that uses a modern H-4 bulb and another $20 for the accompanying bracket. Now that your bike is looking and riding the part make it sound like a café racer by removing some of the packing in the exhaust cans. This will help the bike breath a little easier while making the bike sound a bit sharper. Top off the look by getting yourself a black leather jacket, tight Levi jeans and leather boots so you can look as authentic as your bike does now.


Wednesday, 25 May 2011

The World of Classic Cars


An Introduction to the World of Classic Cars


The world of classic cars is one of the most under-rated, yet magically exciting sectors of what is essentially a leisure pursuit. Certainly there are many professional firms and companies trading in the area of classic cars, but for the most part the industry is driven by enthusiastic followers of their own particular classic car passion.


Some parameters and definitions are required and this leads to the first problem: what exactly is a classic car? And how do you begin to identify one? The answer is probably the old favourite that applies to all things of beauty and it is simply that it's all in the eye of the beholder.


One person's classic is another's heap of junk, but there's no doubt that we all know a true classic when we see one.

The earliest mechanically propelled vehicles are now, in the main, museum pieces that only rarely see the light of day. They are delicate relics of many a bygone age and evoke tremendous feelings of affection and attachment in those who love them.


Next are the classics that still represent a part of history long gone and comprise vehicles that can be nursed and nurtured by those who own, maintain and love them. Because of the dedication of these enthusiasts, the rest of us can enjoy the reward of exploring history, in much the same way as we would explore any part of the development of mankind through the ages.


Coming more up to date are the vehicles that represent the boom years of motor car design and ingenuity, before computer aided design took over and resulted in what exists now, i.e. all cars looking pretty much the same. Modern needs and demands for fuel efficiency, together with environmental considerations dictate how cars are now configured.


From modern techniques of design and manufacture we get cars that are incredibly efficient, but perhaps a little boring and unlikely to mature into what might be called classic cars in the future. Time alone will tell.


Mechanical transportation has been around since the latter part of the nineteenth century so we have a wealth of history to draw upon. Generally speaking the most satisfactory way to classify and categorise classic cars is by reference to the year in which they were manufactured. We have to start somewhere!


Further classification must introduce a geographic component. The US probably represents the largest sector here, but the UK and other European countries contribute hugely to the rich tapestry that now constitutes the classic car world.

Vintage cars are probably still best defined as those built before 1930. So that's a big part of the territory. Then come those built between 1930 and the end of World War 2 so, again a substantial sector. This era has been defined as the age of the "Post Vintage Thoroughbred". Not a bad label by any means.


Once we get beyond World War 2 things become a little more subjective. In the UK there is the zero rate of road tax which applies to any car built before 1973. Somewhat confused because it defines a "build" date rather than a "registered" date, but that aside this sector is fairly easy to classify. So if it's not vintage, and it's not a Post Vintage Thoroughbred, but it was built before 1973, then it almost certainly is a "Road Tax Free, Classic".

Coming further up to date there is definite confusion. There are classics being produced today, by small specialist manufacturers and even home build kit car fans. There are also the eccentric and bizarre that only their owners would ever define as classic.

When all said and done, no-one should be denied the entitlement to describe their own classic as such, and there's plenty of room in the world for us all.

Long may that be the case and long may all of us with an interest in this really fascinating world of historic motor cars, find enough to feed our passion and excitement for all time.



Cadillac - Making a Mark


The Cadillac has always sat at the top of the tree of American car brands. In American popular culture it is synonymous with status, prestige and luxury and it is the car that aspiring Americans want to own. Yet in Britain and the rest of Europe, Cadillac scores very low on the scale of brand awareness among prestige car buyers. Cadillac's concept of a prestige motor car has never exactly corresponded to what Europeans expect.


For this reason, Cadillac does not score high on level of interest among European classic car enthusiasts either. Few Europeans have personal recollections of a Cadillac to be nostalgic about. In fact, their only associations are likely to be with movies like the Coupe de Ville in The Deer Hunter or the various limousines in The Godfather. So, it is easy for many classic car buffs outside America to overlook the important role that Cadillac has had in the development of the motor car as we know it today.

The company was founded in 1902 by William H Murphy out of the remains of a failed attempt to start a car manufacturing company involving Henry Ford. Murphy chose not to use his own name for the company but instead wisely chose the more romantic sounding name of one of his ancestors, Antoine de la Mothe Cadillac, who was also the founder of the city of Detroit. The first Caddys used engines made by Leland and Faulconer and it wasn't long before the two companies merged and Henry Leland who was a great engineer took the helm.

From the outset, Cadillac was all about quality craftsmanship applied to a luxury product. Leland's motto was "craftsmanship a creed, accuracy a law". This was a completely different approach to that of its rival Ford who famously fired their craftsmen in favour of cheaper, unskilled employees. This did not mean that Cadillac did not aim to be a large-scale manufacturer, though. Cadillac never was a hand-made car manufacturer like Rolls-Royce or the other top European prestige marques and the company prided itself on the sheer volume of luxury cars it could produce. Cadillac's production figures were comparable to the largest European manufacturers of any kind of car right up until the 1960s.


Also from the outset, Cadillac was an innovative motor manufacturer. In 1908 Cadillac demonstrated its reliability and commitment to accurately manufactured parts by winning the RAC's Dewar Trophy. Three new Cadillacs were picked at random from eight at the London dealership. These cars were stripped down into their component parts and the pieces jumbled up. A few new spare parts were then thrown in and three new cars were assembled from the pile. These cars were then driven for 500 miles round Brooklands race track with no problems at all. This test showed that all the parts had been accurately made and in an age where parts were often altered and fitted by hand it showed that Cadillac was made to the highest standards.

In 1909 Cadillac became a division of General Motors. This group of car and parts manufacturers was conceived as a strategic alliance where resources could be shared and the divisions be mutually supporting. For example, Cadillac was the premium brand of the group and could be sold as a natural progression from the cheaper brands like Chevrolet for the customer who was rising in his career.


In the early years all motor cars had to be started by turning a crank handle which could be a risky business. In 1912 a young executive was hit in the face by a starting handle and he died from his injuries. This incident led Cadillac to develop an electric starter motor and an integrated electrical system which also included ignition and lighting. The Delco system was adopted by other GM divisions and became the standard followed by all other manufacturers.

The Cadillac Type 53 of 1916 is widely accepted to be the first car that had a modern layout of the controls with a steering wheel, dashboard and pedals for the throttle, clutch and brakes in the order which we are now accustomed to. This layout was far superior to the controls of the Ford Model-T which was notoriously difficult to drive and those of other manufacturers. It became adopted by the mainstream during the 1920s led by the British mass automaker Austin.


In 1929 Cadillac was the first to have Synchro-Mesh gearboxes. Before that changing gear was a tricky business requiring some expertise if the driver was not to 'grind the gears' and it was easy to do serious damage to the gearbox. This feature was rapidly copied by other American manufacturers but European manufacturers were slower to adopt it.

Cadillac benefited greatly from the alliance between the sister divisions of General Motors. One of the ways in which it benefited was from the design team. Harley Earl was recruited in 1927 to head the Art and Colour section which was responsible for the overall look of each GM product. Before this time, the design of mass-produced cars was considered to be relatively unimportant compared to their performance and reliability consequently cars were 'engineer designed' without aesthetic consideration. Earl was the first to use modelling clay to design the car's bodywork and he is often credited with being the first professional car designer. GM quickly saw that this new facility to make pleasing car designs could be used as a powerful marketing tool and the notion of a 'model year' was invented. The underlying mechanical design was used for many years but details of the bodywork and interior were changed each year making the age of the car obvious to anyone and thus putting pressure on customers to buy the latest model.


The inspiration for car design from its inception until well into the 1930s was the horse-drawn carriage. However, beginning in the 1920s and with growing influence in the 1930s industrial design took over with its Art Deco influences. Up to the 1920s you could remove the engine compartment of a car and it would look like something that could be pulled by a horse but in the 1930s all steel enclosed bodies became the norm which sheltered the car's occupants from the weather and they were increasingly streamlined as the speed cars travelled at increased. Cadillac produced many elegant cars in this period such as the Sixty Special of 1939.

In the early 1940s while the rest of the world was at war American car design continued to evolve with the front wings being gradually incorporated into the bodywork. The 1941 Sixty Special was elegant and modern and a world away from the boxy appearance of the 1920s. The 1940s also saw the introduction of Cadillac's signature 'egg-crate' radiator grille.

Car design of the late 1940s and 1950s was hugely influenced by the great leaps forward in aircraft design brought about by the Second World War. Under Harley Earl's supervision Cadillac designs began to show explicit aircraft influences beginning with small tail fins for the Cadillac model year 1948 which were inspired by the Lockheed P-38 Lightening aircraft. Through the 1950s the fins got bigger every year and the influences began to include space rockets as well as aircraft. The tail fin reached its apotheosis in the 1959 Cadillacs not just for Cadillac but for the whole industry. The 1959 Cadillac is the most outrageously befinned design ever produced yet it has its own elegance and it has become one of the top automobile icons of all time. This was the last model of Earl's career. After 1959 the fins gradually became smaller again until they disappeared altogether in the squarer and more classical lines of the 1960s.


The 1970s was a barren period for design for the whole of the American car industry. In 1965 Ralph Nader published his book "Unsafe at any Speed" which revealed the truth about car safety which the industry, its customers and government had been in denial about. Legislation was introduced requiring cars to be built with much greater regard to the safety of their occupants. The American motor industry reacted badly in the belief that their had to be a trade-off between safety and style. Some of the ugliest cars ever made come from this period with huge bumpers and chunky lines. Cadillac were able to respond to the challenge better than many other manufacturers because it was easier to incorporate safety features into larger cars.

From the mid-1970s onwards American luxury car manufacturers increasingly found themselves challenged by European imports, chiefly BMW and Mercedes-Benz. A core belief of American manufacturers was that the most important component of the luxury of a car was its size. Europeans had a more sophisticated view and saw quality engineering as more significant and many customers found the European cars more satisfying to drive. Cadillac responded to this challenge with the introduction of the Seville in 1975. The Seville marked a different approach being the smallest yet the most expensive in the Cadillac range. Although the Seville sold well in the US it was perceived as still too large and cumbersome in other parts of the world. Its lack of market penetration in Europe shows that Cadillac had not been able to change its long cherished ways of thinking entirely.

At the beginning of the 21st century the car industry found itself under pressure from an increasing concern among consumers about environmental issues. The motor industry was seen as one of the chief culprits responsible for environmental damage. Many manufacturers sought to curry favour with their customers by appealing to nostalgia with retro designs for example with the Ford Thunderbird. Cadillac adopted the reverse strategy with a design philosophy they called 'Art and Science' which emphasises the cutting-edge nature of their products. This approach began with the CTS, the replacement for the Seville, and spread through the range.

Highly accurate scale models of Cadillac cars of all periods are available. All the top quality model manufacturers have produced models of Cadillacs. The British model maker, Brooklin, for example specialises in 1/43 scale white metal models of classic American cars. Sun Star make a wonderful range of models of American cars to the larger 1/18 scale which have a fantastic level of detail down to the correct pattern of tread on the tyres and the correct pattern on the mat in the boot. A model manufacturer which has come on the scene recently is Neo and they have produced some wonderful models of 1950s, 1960s and 1970s American cars, including Cadillacs, to the 1/43 scale.